+ Gagosian
Alluding to the safeguarding of personal belongings, the works, most of which are from the 1960s and 1970s, also speak to ideas of movement, migration, and preservation. The artist’s mixed heritage and experience as a political refugee, daringly escaping Stalin-era Bulgaria to Prague, then relocating to Vienna, Geneva, Paris, and eventually New York, defined him as an eternal wanderer—“l’étranger,” as he referred to himself. Continue reading Christo